#like yeah I think it's okay to do something wildly different with his character in fanworks

[scarecrowdrugs]

SV Jervis isn't an absolute freak like certain depictions, but he definitely isn't the soft uwu sadboy fanon depiction, either. He does try to act like he's a soft sadboy type, but he's always at least five seconds away from completely losing his shit and screaming if he doesn't get what he wants. Even though he's not really a creep to woman in specific, his entire schtick is inherently traumatizing and awful to people he controls. I'm not going with the BTAS incel route, but being kind of an entitled asshole is a part of my Jervis's character, even though it's in way different direction.

[cal-daisies-and-briars]

Finally we’ve got the season two AUs!

🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️🧜‍♂️ (this one is so much fun!! First of all I was so completely entertained with Buck and Eddie misunderstanding each other. It was so funny! Also loving reading about trans-Eddie and his backstory! It works really well as an exploration of his character and I’m really enjoying it. And mermaid Buck who just was reminded of the word merman 😂 Love me some unexplained plot-developing magic and can’t wait to see this one play out!)

🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼 (okay I know this one is technically very much in season three territory but it all stems from an AU season two so I’m counting it :p So excited to meet baby Jane!! And loving that established Buddie and can’t wait to see everything play out with Shannon!)

🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟(lol it took me a bit to remember that this one is also technically an AU of season two because of just how alternate that universe is. I can’t believe this one’s almost done! I’ve absolutely adored it! Such a wonderful fire fam story that I’ve loved so much! Very excited to see it all wrapped up in the epilogue!)

I hope you have fun writing Cal! I’ll definitely be having fun reading!

- PCA <3

HI PCA!!! Thanks for sending in more <3

I am going to start with this one because I am hoping to finish zombie fic soon and this is my only request for it. So thank you!

84 for 🧜‍♂️ (Ah yay thank you!!!!! This one has been SO fun to write):

tagging @steadfastsaturnsrings

---

Eddie can tell this is sort of a sore subject for Buck, and changes topic. 

“So what are you looking for?” Eddie asks. 

“I’m not too picky,” Buck shrugs. “Just not further away from the ocean than I already am. And, uh… I don’t know. Something between the fire station and you would be nice.”

“Between the fire station and me?” Eddie asks. 

“Yeah,” Buck shrugs, cheeks heating a little. “I mean, I’m sort of here all the time, anyway. Might as well cut down the commute.”

Eddie smiles. “Okay, then. Let’s narrow down the search range.”

A bit later, Buck brings them each a coffee from the kitchen, sleeve riding up on his wrist as he hands a mug to Eddie. Eddie looks at the clear skin of his arm, curious. Fair enough. There had been a lot of bruising and scratches there yesterday. The result of trying to rescue a terrified dog from a house fire. 

“Went for a swim last night,” Buck says, shrugging. 

“And it healed you?” Eddie asks. “Just like that?”

“Yeah,” Buck shrugs. “It always erases minor stuff. Haven’t encountered anything bigger though, so I don’t know how far it goes.”

“That’s pretty sick,” Eddie admits. 

“Doesn’t work on a hangover,” Buck grumbles. 

“Maybe the ocean knew you deserved it,” Eddie laughs. 

Hell, maybe it did. 

🌊

A few weeks later, Buck is moving into a ground floor unit in a building between work and Eddie. A bit closer to Eddie, just based on pricing. There were two units available in the building. The second floor walk up was a bit cheaper - not hugely, but enough to consider it - but when Buck thinks about who really comes over, beyond his sister, it’ll be Eddie and Chris. And the ground floor would be way easier for Chris. So that’s what he chose. 

He doesn’t tell Eddie this. Just makes the decision. But the first day he’s moved in, with proper furniture that he actually owns, he has them over for pizza and video games, and he knows he’s made the right choice. 

Unfortunately, he doesn’t get to enjoy the new apartment for very long. Sooner rather than later, the world sort of ends. There’s a bank heist, which the 118 is framed for. Buck is terrified, being a suspect. Dragged down for interrogation. What if they do some sort of test on him that reveals what he is? Eddie looks sort of sick too. Probably not for dissimilar reasons. Just wildly different results. 

The 118 is cleared. But Bobby is not. Or at least, he’s cleared of the robbery, but he’s still under suspicion. The LAFD is looking into his past. Poking around at all his trauma; the loss of his family, rehab, all of it. Buck doesn’t think it’s fair. Doesn’t think it’s any of their business. 

Apparently it is.

Bobby is put on suspension pending the results of the inquest. Chimney is made acting captain. And it all sort of overlaps with a disaster. Or, rather, many repeated disasters. Serial disasters. A package bomber. The city is sort of in collective panic. 

Buck is concerned, of course. But not really about anyone he knows. Not at first. At first, the people being targeted seem to be all too wealthy for him or the people he loves to fit the pattern. A judge, an attorney, etcetera. But then a package is discovered at Athena’s house, and even though no one is hurt, Buck can’t help but feel sick about it. Her son discovered it; her child. Bobby could have been there. Bobby. The thought of Bobby being hurt makes him want to writhe. Stresses him so badly he can feel the phantom sensation of scales running up his spine. He knows Bobby is fine. That he wasn’t even there. But he still feels physically ill. 

He doesn’t have long to feel sick about it, though. He doesn’t have long to feel anything but panic and pain for very long. Because the next victim of the package bomber, as it turns out, is him. 

---

57for 🔼 (It definitely started in S2 so you're right! And yay! Thank you!!!)

---

That makes him freak out. Or at least the possibility of missing it. Not that Buck can blame him. She’s not even Buck’s kid and he sort of feels like if he wasn’t trying to keep Eddie calm, he’d be freaking out a tiny bit, too. 

It’s not all bad freaking out. Some of it is positive. He’s a bit like a yoyo. 

“We’re really going to meet her,” Eddie says, excitedly to start. “She’s really going to be here.”

“She is,” Buck grins in response. 

A few minutes later, as traffic seems to plunge into doom territory, Eddie is filled with despair. 

“I made it home from Afghanistan to be there when Chris was born,” he laments. “Afghanistan, Buck! That’s three continents of travel. I had a half day layover in Germany. I still made it home in time. But now I won’t make it across town for Jane?”

Oh boy.

“Eddie, you’ll make it in time,” Buck promises, willing himself to be right. “You’ll definitely make it. I will turn on the siren, I swear.”

“That’s technically not allowed, Buck, I-”

“I’m the one driving,” Buck shrugs, and turns it on. 

Immediately, cars start moving out of the way.

“Okay,” Eddie sighs, fitting a headset over his ears. “Alright, good idea.”

“Told you I got you,” Buck smiles.

“I feel like I’m going to puke,” Eddie admits. 

“Well, don’t do that. It’ll delay us,” Buck teases. 

Eddie just groans. 

◀️

Shannon really can’t believe Eddie is going to miss this. If she wasn’t currently experiencing active labor - a much more active labor than her previous experience - she might not be so pissed about it. She understands he was out there, on a call, saving people. Which is good. She won’t die without him, but the people out there in accidents sure might. Whatever. But he should be here. He promised he’d be here every step of the way, and this is a pretty big step. Also, he did this to her. He should at least be here to have his hand crushed and to be snapped at. 

“He’s on his way, okay?” Maddie promises. “He’s rushing over.”

Not fast enough. 

Not fast enough, because the last time she was checked out, she was told she’s almost ready to start pushing. And even though last time she was told she could start pushing, it took hours and ended in forceps, she’s been assured this is progressing fast and easy. There is nothing easy about it, thank you. But she believes the fast part. She can already just tell, compared to Chris. Their daughter is eager to make an entrance. Which is fine with Shannon. It’s the opposite of what she’d feared. 

She just needs Eddie to be here for it. 

Shannon’s worried. She’s sad at the prospect of him missing it, mostly for him. But she’s also in a lot of pain, which turns all that to frustration.

“If he’s not here,” she tells Maddie. “I’ll kill him.”

---

66 for 🧟 (THANK YOU! I am very excited to wrap it up)

---

 It wakes her, but slowly. Sunlight warms her face. The other thing warming her is Chimney. He draped over her middle. His chest against her back. She feels completely at ease, right here. 

Sometimes Maddie has a habit of gaslighting herself a little. Her brain intrusively suggests she shouldn’t trust her instincts. That they were her problem to begin with; the reason she got hurt. That if she’d been smarter, she would have avoided it. And maybe she’s not being smart now. She’d thought that when she got in the truck with Eddie. She thought that when she started getting closer to Chimney. She’s fighting off thinking about it today. It’s just not true. Every decision she has made has kept her alive. 

When the sun eventually wakes Chimney, too, she feels him take a deep breath, then lean forward to kiss the back of her head. She smiles, pleased.

“Good morning,” she says quietly. 

“Yeah,” Chim replies. “A really good one.”

Maddie’s smile widens. There’s a lot to like about Chimney. So much. But one of the things she thinks she appreciates most is how he makes her feel good without being overly complimentary. None of it feels like attempted flattery, or trying to butter her up. He’s completely just sincere with her, in whatever he says. Another reason to trust him. She can recognize now how a lifetime of her parents’ criticism left her vulnerable to Doug piling on empty compliments. How that led to a frantic need to please him again when they went away. 

Maddie is stronger than that now. She survived the outbreak. She escaped the husband who would have kept her trapped in hell, and then killed him when he would have killed her. She made it across the country, found her brother. She learned how to survive, how to fight against threats she would have never expected a year ago. She helped make bombs to defend against a home she would have never expected, either. 

So Maddie feels safe now, more often than not. Even when her brain tries to fight her on it. Even when she’s scared. She’s safe. 

She rolls over in bed and looks at Chim. He takes a deep breath.

“Hi,” he mutters.

“Hi,” she replies. “Thank you.”

He gives her a funny, confused smile.

“For what?”

She shrugs a little. “I don’t know. For being here when I showed up?”

His cheeks redden a little. “Well, uh… Thank you for showing up.” 

She laughs brightly. “Anytime.”

And when Chim kisses her again, something inside Maddie just feels entirely, perfectly settled. 

October 11th, 2018

They’d expected Shannon and Taylor to come back around this time. They’d said monthly visits for Shannon and Chris at a minimum. More if they could help it. And Shannon wasn’t going to travel alone. Not while Taylor was around. Hen still wonders if Shannon knows Taylor is in love with her. 

What they’re not expecting is for Shannon and Taylor to show up with a child. A child that wasn’t mentioned last time. A little girl. 

[bookwormbynight]

the take that lawlight and other ships involving Light and an older character are not problematic because “Light Yagami is incapable of being groomed” is doing rounds on dntwt again and holy shit it drives me insane every time i see it because

(“you” below refers to people with this take, not you)

1. what the hell is this victim-blaming logic when you’re literally talking about it as something applicable to the real world. no one is immune to being groomed.

2. to speak of the idea in-universe, I’m pretty sure that is just factually untrue. Light can definitely be groomed and has many traits that make him susceptible

3. no one is immune to being groomed. Light being manipulative, “evil”, intelligent or ““mature for his age”” (oh boy) does not prevent him from grooming in any capacity. in fact those traits combined with his arrogance make him a easy target as long as the perpetrator knows what to say

4. if you’re uncomfortable with the idea that lawlight is grooming, you can just think and say that you do not view lawlight’s dynamic as grooming. that would be reasonable, at least in comparison to fucking “light is immune to being groomed”

5. (pardon my language but) why in the fuck would you phrase it like “I’m sorry but if you can *insert a bunch of things that don’t prevent anyone from being groomed* then I’m NOT gonna believe you got groomed” like do you know how you sound right now????

6. have I mentioned that no one is immune to being groomed.

frankly, as someone who doesn’t usually prefer to view lawlight as full-on “adult grooming child” (I do think the existing age gap is a very intriguing factor but generally it is not my top preference to take it to the extreme in my own conception of it; it is very interesting to see as an alternative though, I respect it), I feel MUCH safer around everyone in this dn tumblr circle than people who say that shit. respect and salute to you all 🫡

Oh, ick!! Thank you for sharing!

Dude I am so afraid of dntwt I refuse. Of course the drawback to that is Tumblr doesn't allow the kind of images that Twitter does so I miss out on that but with the combination of Elon Musk and the nazis and whatever nutcase discourse that regularly happens over there, I'm not touching that shit with a ten foot pole even for the sake of porn 😭

Yeah no the solution to something that makes you uncomfortable is never ever to blame the victim. (Honestly, and I'm psychoanalyzing again, I think part of what makes this circle so safe is that we treat this shit with the gravity it deserves, even when we're sexualizing it. Because what we're sexualizing IS the horror. The horror is what's hot about it, but the horror reaction implies that it's something terrible and serious. It's not normal or okay or impossible.)

I'd like to explore the mention of discomfort with the topic. That shit is normal and human. Not everyone likes sexualizing horror, not everyone understands everything you need for it to feel safe, AND, and this is a wildly different but still important factor in fandom interaction, not everyone DOES think it's plausible for the universe. You can think things don't match your headcanon for how you interpreted the work! I made a post yesterday along those lines about a fanfic I was reading! The thing is, don't attack real people (if you think someone's handling a subject in fiction in a way that does real harm, like E.L. James for my example, you don't send hate mail, you tell people why it's harmful and boycott the work); be aware that canon is subjective even if you have some textual evidence to back your view up - feel free to present said evidence, but nobody has to take it to heart and you can't make them; and above all, if it's pertaining to these types of topics, DO NOT USE THE VICTIM TO CONTRADICT IT. USE THE SUPPOSED PERPETRATOR. If you don't think L is a groomer, say so, if you don't think lawlight involves grooming, go for it, but Light Yagami better not fucking be a pillar of your argument because victims are never the reason something happened to them, which means they are also never the reason something didn't happen. People astound me.

Be kind everybody ❤️

[nenilein]

Hello! Apologies for sending an ask out of the blue but considering your familiarity with localisation differences in persona 4/golden, I was wondering if anything comes to your mind regarding this aspect and how the game depicts queerness and queer themes? Thank you!

Heya! Don't worry, I was thinking people would probably ask stuff like this. After all, I already replied to somebody's tags asking this same thing previously, but I know not many people saw that, so let me use the chance to go into more detail:

Unfortunately, Persona 4's treatment of queer themes is not a result of the translation. The only things that were down to translation choices were small things, such as which pronouns are used in which situation (because Japanese does not at all have the same concept of third person pronouns as English, and the way first person classifiers that mean "I" work is very complex and a lot more vibes-based than actually tied to gender.)

But for the most part, everything is pretty much the same. Kanji's reaction to Chie mumbling about something being "off" about how he interacted with Naoto that first time, the tent scene, Yosuke's extreme insecurity in his own sexuality in addition to everyone else's... I think maybe the only thing that's a biiit better in Japanese is that Teddie is kiiinda genderfluid in Japanese, with the artbook outright stating that he doesn't necessarily consider himself "male" when he's in his bear form, unless it's necessary for a joke.

A lot of this can be traced to the really odd relationship the game's director, Katsura Hashino, has to queer themes. In interviews about Catherine Fullbody (a game which infamously has a rather weirdly handled gay romance route which, however, is notably also the only romance route in the game that cannot possibly result in a bad ending), he talks about how he's always admired queer people for being "strong" and wanted to write queer stories, but couldn't really do it until Fullbody because Atlus higher ups were afraid of backlash from the fans.

Traces of this are actually seen in Persona 4 Vanilla's data, where remnants of a surprisingly well done romance route for YOSUKE, of all people, are still present. That route made it far enough into development to have voiced lines in both, English and Japanese. However, it was dummied out in the final game and its script content was removed. Yosuke STILL has the "girlfriend flag" in the code that all the female romance options also have, but in the finished game it only checks whether you can hug him during his social link or not. Everything else was dummied out. You can still find the voice files on the cutting room floor if you want:

And yes, the "I like you" line is unambiguously romantic in Japanese. His wording is very hard to misinterpret.

However, in the finished game and the rest of the franchise Yosuke's bisexuality was reduced to an in-joke of the developers. It's most poignant in Persona Q (the first one), where if you get the "marriage" scene with Yosuke in the second dungeon, his reactions differ WILDLY depending on which Protagonist you are playing as, far more than other male characters. With Makoto Yuki he acts nonchallant and deadpan about it. With Yu Narukami he acts like a blushy Tsundere and panics constantly. So, yeah.

Okay, so, if the director had interest in writing queer stories since before Persona 4, why is Persona 4 the way it is then?

Well, because - and there's no way around it - he sucks at it.

Katsura Hashino has to be one of the clumsiest "gay activists" I've ever seen in my whole darn life. He finds queer people "cool", but seemingly never had any queer writers or sensitivity readers on his teams and it's caused enormous blunders in how these themes have been handled. For example, when after Persona 3 it was pointed out to him that the writing of the female characters in interaction with the male characters was bad, he immediately hired more female writers and gave them free reign for how to handle the female characters from then on out. But apparently the same thing never happened with his mishandling of queer themes. He wants Catherine's Erica and Rin to be empowering figures for trans women and gay men, but makes a lot of blunders in how he has other characters interact with them to the point it buries his good intentions. Erica's boyfriend having gay panic upon realizing she's trans is treated as "funny and cute", even by Erica herself. Rin technically being a monogender alien really undermines his story of becoming more secure in his sexuality. It goes on and on like that.

The intention with Naoto's story was to point out the extreme sexism in Japanese society and how it forces female nerds to find alternate modes of self-expression, but the clumsy choice of including surgery themes in Naoto's dungeon completely buried that for especially western queer audiences. Most people don't even remember Naoto's dungeon was outright modeled after a Kamen Rider villain hideout. They completely shot themselves in the foot with this one. Additionally, the way Naoto is handled AFTER the dungeon makes her (I'm using that pronoun because she calls herself a "woman" in Japanese in the game) seem more like someone who's on the verge of discovering they are X-gender (the japanese word for "nonbinary") than a repressed girl. Like, right down to how she has Rise help her experiment with clothes in the canonical drama CDs only to realize she really is uncomfortable with skirts and go for an androgynous but less restrictive look going forward. The way she dresses in the Golden epilogue and P4D is pretty X-gender core if you ask me. If they had leaned into that they could have genuinely have had something AMAZING, while also presenting the themes of sexism they wanted to explore, but the lack of queer sensitivity readers kind of ruined it.

Same for Kanji. The way they write him makes it seem like he's bisexual or pansexual, rather than straight, but they kinda shove that part of him aside after his dungeon is done, leaving his actual orientation up in the air and wasting a really good chance for representation. NOW, given what happened to Yosuke's social link, it's quite possible the original intent WAS to explore this more and it got cut, but as it stands, we'll never know. The huge problem of the internalized toxic stereotypes his Shadow presented never being reflected on and put into their right context in the rest of the game, when his social link could've given a great opportunity for that is also a huge shame.

All of this happened because of Atlus being unwilling to let their writers go all out with queer themes in fears of alienating a cishet audience AND because Hashino never sat his writing team down with any actual queer writers to sort this shit out and learn how to get across what the team was ACTUALLY trying to say. Now, given, Persona 4 was far from the only Japanese media property with that exact issue at the time, but it hurts especially much in its case because of the game's themes of exploring the truth to its logical conclusion, as well as psychology. These are issues that a remake REALLY would do well to address and correct. I feel like they actually will HAVE to do that, because sensitivity readers have become the NORM in handling these themes now in Japanese media, rather than the exception. You can thank trail blazing mainstream works like Zombie Land Saga for that.

All in all, Persona 4's handling of queer themes is an exercise in frustration that I hope is corrected soon.

[anotherobeymeblog]

Which of the characters are the loudest in bed? 👀

I had to rewrite some of these parts three times because tumblr kept not saving the draft when I clicked "save draft" so forgive me if some of them sound a little clipped, I'm pretty annoyed about it lol

Loud

Mammon: Yeah, Mammon has absolutely no concept of volume control. Naturally, he's wildly embarrassed by this and will try to deny how loud he is even in between moans. It's pretty fun to tease him about this. It almost makes it worth all the times someone will bang on the door demanding you keep it down. Almost.

Diavolo: Idk what you expected. He sees no reason to try to hide what you're doing, so he doesn't bother keeping his voice down. And, tbh, I'm not convinced he could be quiet if he tried. This man has a big, booming voice and even his dirty talk sounds more like shouting. Barbatos isn't paid enough for this shit.

Solomon: Whore 💖 He's absolutely shameless, so you better hope no one else is in the same building as you when you fuck. Of course, if you ask him to try to be quiet, he'll happily make even more obnoxiously obscene noises just to annoy you.

Moderate

Leviathan: Levi will bite his lip raw to try to stifle his noises if you don't stop him. He's actually pretty quiet as far as like... decibels go, but his tone is so shrill, his voice carries much farther than it would otherwise. He sounds absolutely pathetic, and if you call him out for this, he will cry, but he will also cum on the spot.

Asmodeus: Okay, I know this is a hot take, but considering his vast uh. Experience, there's no way Asmo doesn't know how to adjust his volume for the situation. Much like everything else related to sex with Asmo, YMMV because he will try to shape himself into your ideal partner. However, if you do manage to get him to loosen up and stop trying to impress you, he naturally makes these clipped, high-pitched whines that are super cute, but not that loud.

Belphegor: So sex with Belphie can really be divided into two categories. Sometimes, it's slow, lazy sex where he's still half asleep and adorably clingy. In these cases, he's almost silent, with the only noises he's making being little sighs and incoherent mumbling that you think might be your name. But on the other hand, when he's in a particularly bratty mood and wants you to wreck his shit, it's a totally different story, and he will be spitting taunts at you even as the words keep getting cut off by choked moans.

Simeon: Simeon is prone to crying during sex and everyone else can fight me. He tries to maintain some semblance of dignity at first, but it never takes long before he falls apart and starts crying out freely.

Quiet

Lucifer: Yeah, the most you're getting from him is the occasional tremor in his voice. He's bad at showing vulnerability at the best of times, so you just have to get used to picking up on the way his mouth twists or his brow furrows, because you won't be getting any more obvious reactions than that. (Unless he's drunk, but that's another story altogether.)

Satan: Depending on his mood, the sounds he makes range from low growls to soft, breathy moans. Either way, it's gonna be pretty quiet, and you'd need to be within a couple feet of him to be able to hear them at all.

Beelzebub: If you're doing something particularly intense, you may be treated to some choked grunts, but otherwise, the only noises he really makes are his breath getting heavier and whispered praises that grow increasingly incoherent as he approaches his orgasm, at which point he seems to stop breathing altogether.

Barbatos: Barbatos makes these drawn-out, airy noises that are very cute, but almost inaudible if your faces aren't right up against each other. If you make it known that you want to hear him better, he won't get any louder, but instead will lean towards you to moan right in your ear.

[moongothic]

Seen quite a few people comment how they believe it's more likely the Dragodile Divorce happened due to ideological differences rather than because Dragon was too straight to stay with Crocodile, and. Like I did suggest that (or at least tried to) in my Crocodad Giga Thesis (really I should've been more clear about it in my essay so I wouldn't be writing this now lol), but like yes, Dragon and Crocodile absolutely have drastically different beliefs on How One Overthrows The World Government. And that absolutely could have contributed to the two separating and/or Crocodile deciding to go his own way instead of becoming a proper Revolutionary

Because like, as I tried to imply in the essay (but failed to deliver); if Crocodile's goal had always been to get Pluton so he could just nuke Marijoa off the face of the earth by himself and end it all in one go, then Crocodile and his way of thinking could work as this, like... contrasting opposite to how Dragon believes things should be done. Some fans (unfairly imo) call Dragon a "fraud" because over the past 20+ years he has only attacked Marijoa and the WG directly just once, and even when he did, instead of doing something to stop their corrupt reign for good... the Revs destroyed... the Tenryuubito's... food storage..? Like. Sure, that'll bother them for a little while, get their panties in a good twist etc, but in the end they're just going to demand more tributes and more free food. The Revolutionary Army may be successfully inspiring more people and more countries to rebel against the World Government's corrupt rule, but the Tenryuubito are still in power and will continue to be in power for a long time. And that's kind of how Crocodile would greatly complement Dragon within the narrative. Dragon being arguably "too soft" with his slow, methodical way of overthrowing the WG, while Crocodile would just kill them all without mercy, even if it meant hurting innocent people in the process. The two would act as the opposite sides of the same coin, the different extremes of the same spectrum. Crocodile would become like a response to the complaints people have against Dragon.

And yeah, the two having such wildly different ideological views could VERY EASILY contribute to a divorce, for sure.

My thing is that... If (and this is an if) Crocodile is meant to go a character arc and grow as a person, if we're meant to see him as a sympathetic character at all and maybe even feel bad for him... It'll be much harder to write that if the Dragodile Divorce happened only because of the two having ideological differences. Like who's going to feel bad for Crocodile if the two got divorced because Crocodile wanted to mass murder people and Dragon wasn't okay with it? That's not a tragedy, that's not a situation where we as the readers would feel for Crocodile and want to root for him. That's not something that would give a character unprocessed emotional trauma to heal from and overcome. He'd just be a villian who'd need to have his beliefs changed.

Where as, if The Divorce was caused by Dragon and Crocodile no longer being compatible due to Dragon being straight while Crocodile transed his gender... Even in the most respectful of scenarios that is a heartbreaking situation, a painful thing to go through. That is a tragedy without bad guys, a story where you could feel bad for Crocodile and want to root for him. That is a situation that would give him trauma to heal from.

And that's kind of why I so strongly believe in Crocodile's transition being a more important, contributing factor in The Divorce. Again, this does absolutely depend on what Crocodile's actual role in the story is going to be and whether or not he's even meant to go through a character arc at all. Like if he's not going to be that important and if he isn't meant to go through an arc then sure, Crocodile's transition doesn't have to matter one fucking bit. But if he is meant to go through an arc, if we are meant to feel bad for him and find outselves rooting for him eventually... From a writing perspective, that'll be far easier to do if we can find ourselves sympathizing with him even just a little bit.

Also like. Yes, you can have queer characters who are just queer for the sake of being queer, their queerness does not have to be an important aspect in them or a huge plotpoint in their story at all. Crocodile could be queer just for the sake of being queer. Because that's what it's like being queer, you just are what you are. At the same time, from a writing perspective. What would even be the point of making him queer if it didn't matter to his character at all and have an impact on his character?

Also while Crocodile and Dragon clearly have very different beliefs on how the WG should be dealt with right now, we don't really know when Crocodile came to his beliefs. Like for all we know Crocodile could've formed his worldview years after the divorce. Hell, based on the way he spoke to Vivi about her ideals, and how we know he spent over a decade in utter emotional solitude, his current worldview could have been partially born from resentment towards Dragon (and his ideals) that's been simmering away over the years.

All of this to say; yes I think the two's beliefs could have been a contributing factor in The Divorce, but from a writing perspective (and based on the direction I personally want to see the story go), I find it far more likely if Crocodile's transition was the main cause, one way or another.

[ticenchantedtoc]

crack theory 🤨❓

Okay, how do I explain this...

There are parts of this theory that are rooted in logic and parts that are wild speculation, but I think the overall theory is possible, albeit a little crazy. Then again, a lot of things in this game are crazy.

In short, my theory is that Zetta also has a form of Archetype power just like Melia does. But I don't think it comes from the actual Archetype; I think it's something similar but opposite. Because the Archetype is depicted as a golden triangle, I've been imagining this inverse Archetype as an upside-down silver triangle. Hey wait a minute.

Yeah, my theory is that this "inverse Archetype" is actually the Core. Outside of the visual similarity, we know that the Core is linked to the Interceptors' power, and they can transform just like Melia and Erin. The Core is also connected to the Ley Lines, and in the Karma Files, it mentions that Rifts form whenever a Ley Line is pierced. Zetta is the only character we know of who can directly interact with the Ley Lines to create Rift Pokemon*. Perhaps this is his version of the "superpowers" Melia, Erin, Allen, and Alice have because of the Archetype. If that's the case, then it would make complete sense that his power comes from the Core instead.

(*Quick note, I'm aware that there are other "Rifts" not created by Zetta, but a lot of them aren't Rifts in the lore, just in the gameplay mechanics. Carnivine, Dufaux, and Talon all became "Rifts" through alternate means, and though Ferrothorn and Hippowdon are real Rifts, they were created from rift matter that Bladestar stole from Team Xen (so they likely come from Zetta's power too, in a very roundabout way). The only other Rifts can't be explained this way are Volcanion, which Zetta very well could've made off-screen, and Aelita, which makes sense because Aelita turned into a Rift due to Vivian's curse. And Vivian already had a connection with the Ley Lines, that's how she could sense where people and Pokemon were. Okay back to the theory!)

The description of the Core also mentions that it contains and transports information about all life on Earth. That sounds a lot like something Zygarde, the pokemon responsible for keeping balance, would use, right? We currently don't know anything about the Zygarde host except their age: 25. Oddly enough, this is Zetta's biological age too. I say it's odd because most of the Xen Executives don't have specific canon ages, and if he's a clone of Melia, why make him so much older in the first place? It could be a coincidence, but I find it suspicious. Especially considering that everything with a Z name has been linked to the Core in some way: Zygarde, Zeight, Zorrialyn being where Castle Zygara once was.

To be clear, do I think Zetta being connected to the Core means he's an Interceptor? Absolutely not. Do I think there are three other Core-hosts like with the Archetype? Probably not. But I can't look past the fact that just after we get this lore dump about the Core, Crescent gives Zetta's pokeball to Melia. And in this teaser screenshot for v14, there's a new icon in the top left with Zetta's face and what appears to be the Interceptor's Wish. I'm not going to speculate about this screenshot because I have no idea what it means really, but at this point it's impossible to deny that Zetta is going to be important in Chapter 16.

Some last bonus points in this theory, aka the part where I start wildly speculating: When you combine the Archetype triangle and the proposed inverse Archetype triangle (whether it's actually the Core or a different thing), it would make the alchemical symbol for aether.

In alchemy, aether represents the space that isn't filled by any of the natural elements. It was thought to be the breath of gods, and harnessing the power of aether could connect the physical world to the spiritual one. Since Rejuvenation is a pokemon game, most players are already familiar with the word aether because of the Aether Foundation. The Aether Foundation created Type:Null, which was intended to be a manmade Arceus but failed, and they had to put on the helmet to contain its power. Rejuvenation acknowledges this backstory, calling it an "inconsistency" that two more Type:Null can be found in Aevium. Zepto is an obvious metaphor for Zetta's backstory as a clone, but I'd like to think the aether connection could mean something.

Speaking of inconsistencies, when you play chess against Zetta in the Nightmare Realm, all of the pieces depict characters in the game, and they all have a quote related to the character. For example, Neved's piece says "Your family before all else." All of the Xen executives are depicted as chess pieces here except for Zetta. This might just be because he's literally sitting across the board from you, but Risa (the Risa from the Nightmare Realm, not Clear pretending to be Risa) is also a piece on the board. Her piece is broken though, and it's not the only one. Eden's piece is broken too, and their quote ends in "Defiled." One other chess piece ends this way, one that seems to be missing a head. The full quote is, "To perpetuate consistency through inconsistency. The descendant of Zed. Defiled." There's the letter Z again. In an absence of other characters this could refer to, I'm assuming this piece is meant to be Zetta, which would mean that inconsistencies and being a "descendant" are more important to his character than we've been lead to believe. Could this be a hint that he's connected to the unknown Zygarde host?

Again, this last part is just wild speculation! The core (pun not intended) of this theory is that Zetta has his own version of the Archetype powers and maybe even his own transformation. I think it's likely that those powers would come from the Core, considering the lore we get in the Karma Files, but I'm not entirely sure. Whether I'm right or not, I'm just really excited for my favorite solosis to get more screen time.

[yinyuedijun]

hiiiii i have not read or seen windbreaker my only interactions with it are bc some of my moots r into it now so ive read some fics and i saw tokyo vice on my dash and i was really pulled in by the summary so i read both parts and sincerity and the little prequel piece and oh my god it’s so good. i love the humor, the narrative voice is so witty. suo’s character is so intriguing bc as much as the reader loves and knows him there’s still so much going on that we can only guess at and i felt like that was communicated really well. i enjoyed the fact that sincerity and the prequel let us see their relationship at a different time and how we got to where they are in the present. im really interested in the reader and i felt like u did such a good job of weaving in the comedy to make some of her internal dialogue more lighthearted while still developing her emotional state really well. plus the smut was insane like 11/10 no notes. when the reader said she was excited for pussy inspections >>> like fuck yea me too!!! but anyways i loved the details we learn about her and how her fantasy is have really mundane romantic and vanilla sex. it really speaks to just how fucked up her life has been to the point where her biggest romantic dream is just to have regular sex with the man she loves. like ugh the angst interspersed with the comedy and smut was just chef's kiss. AND THAT ENDING??? WHEN HE THINKS SHE'S ASLEEP. like that did tug at my heartstrings especially when he talked about what their old friends think of him :(( and how if he was a better man he'd let her go. i read another organized crime x civilian fic for a different fandom a few years ago and it ended with the civilian person leaving his partner/his partner letting him go bc the deeper the partner he got into organized crime the more unhinged he became and how his mental state began affecting the civilian. thats a really condensed way of explaining but the events were crazy and it had me crying and screaming every chapter but that's something that ive never seen in other yakuza/gang/organized crime aus so i thought it was really cool to see how that is something that suo thinks about and has to come to terms with now that its been a few years and he can look back at his behavior.

but anyways i really really loved it and im gonna watch/read windbreaker as soon as i can now :)) so thank u for the wonderful fic 🙂‍↕️ and is tokyo vice over? i dont think i saw a completed tag on it on ur masterlist so i wanted to ask if u were leaving the world open

ANONNN I LOVE U SO MUCH TRULY THANK YOU!! 🥹 tokyo vice was an absurd self-indulgent project so I'm so very happy you gave it a shot despite not being into wbk!!! I must confess that it's wildly different from canon LOL but I do adore the canon series nevertheless, and I hope you enjoy it :-) (let us know if you do!!!)

I can't thank you enough for sending such juicy feedback abt tokyo vice, especially about the reader! I did find it somewhat stressful trying to balance the comedy of her narration with the horny and angsty and deranged events of the plot, so I'm glad that you liked that aspect of the fic !!! 🥹 and yeah despite all the comedy, she really is a traumatized meow meow. but it's okay, she can now have the normal sex of her dreams with the love of her life - as long as she can survive 4 months of orgasm denial before their wedding 😭

and LOL I love yandere charas with self-awareness so in general I love writing arcs where they love the reader enough to understand that they should let them go. the plot you're describing is sooooo up my alley and I think suo would absolutely have that thought process if the reader were even remotely mentally normal. unfortunately she is equally insane. I guess that is the tragedy of it for suo - he knows that he can never get better, and he also knows that as long as they are together, she can never get better either. fortunately for him, she could not care less ♥️

I do think tokyo vice is complete, but I do want to finish that sakura wip at some point and also write about suo and mc's sex life after they get together (which is very nasty premaritally and then really vanilla and emotional on their wedding night). I want to finish this kitsune suo pwp first though and finish my ffg commitments too 😭

anyway sorry for yapping so much HAHAH I'm just so happy that you commented on all these aspects of the fic!! thank you for reading and for sending such a wonderful ask 🥺💗

[cricketsintheaudience]

Dan Mora’s Knight Terrors designs for batman, superman, and wonder woman came out and I have Thoughts as to what that might tell us for their individual stories !!!!!!!! if I’m right I am owed one billion dollar and to be president of dc thanks

wonder woman: okay admittedly this one is easiest. judging by the several Greek mythological aspects of her design (medusa hair, ares/battle helmet, harpy or other bird of prey appendages, etc.) and excessive weaponry, I’d combine those two to expect her fear will be becoming a machination of war and a tool manipulated to fulfill the myth that is her life and themyscira’s existence. her extensive training as a warrior could easily be used to slot her into the place of the next great hero of myth, slaughtering the gods’ enemies until she herself completes her purpose and dies a warrior’s death. the fear stems from the fact that despite that, she is an individual. her choices to mingle with man’s world and extend her horizon beyond the world of the gods, along with the conscious decision to become the humans’ champion rather than just the gods’, is proof of this. To lose this and be used by the powers that granted her incredible talents against the new life she’s fought to protect could likely be her greatest fear.

superman: death. the grim reaper aspects of the design (skull face, hooded cloak, withered and near skeletal limbs, halo-like spikes) scream that to me (see also: angel of death). specifically, the fact that he can so easily escape death while nearly everyone around him can’t. it could also potentially be the fear of what dying would even look like for clark—alone, in a world unrecognizable from the one he landed in, etc. as a rebuttal for his seeming lack of fear regarding it—but this is less likely to me. the fact that humans are so fragile, so short-lived, and yet so wildly and passionately important to him is an easy target for clark, hence why this character is giving “ghosts of christmas future” vibes that will force him to confront a world without those he loves. (think, mark!!! what will you have in 500 years????)

batman: this was harder than I thought, in part due to my bias against doing his parents’ deaths for the millionth time. though, the detail of the bat crawling out of bruce’s mouth gives me hope for something a little different, as weird as that sounds: I think a distinct fear of bruce’s is letting the identity of the bat consume him. the fact that the amorphous bat-monster-thing crawling out of him alludes to the alternate identity that’s been dormant inside of him finally emerging, leaving bruce behind as a hollow skin along with his humanity and ties to the dredges of his former life. he has fully become the bat—there’s no longer any room for bruce wayne within him anymore. It might as well be the incarnation of his fear and anger leaving the rest of him behind to gain a life of its own.

so yeah!! I’d absolutely love to hear some other takes, I may very well be wrong but I had so much fun trying to decode these designs and I’m super excited for knight terrors regardless!

[hustlemeanokay]

Okay. Two playthroughs done.

One with a Lords of Fortune, Elven mage, Female Rook who romanced Davrin. And one with a Grey Warden, Dwarf warrior, male rook who romanced Lace. Two wildly different personalities, two wildly different endings. And for the sake of spoilers, I'll put the rest below the cut.

So - first, my Lord Zea Laidir playthrough. She was kind - almost always picking the diplomatic option. The nice option or the sad eye option. Never really got mad, just hurt. She was a tender soul but also joyful. She liked the Lords because they were fun and jovial - not really for greed and what not. She liked the celebrating oneself aspect of bragging, if that makes sense. Anyway - since it was my 1st playthrough, I went with my core Inquisitor. Yes, an elf who romanced Solas. For the sake of the game, though, she stayed all piny after him. But the story I have written for her - she dropped him like a bad habit because reasons. But anyway! I was able to swing the save Solas ending and the Inquisitor and him strolled off into the fade together and aw, Solas was redeemed. But - you have to follow some specific steps for that, from what I understand. It's easy if you do though. Zea was an optimist, a sweetheart for lack of a better term. It hurt her that Solas was the way he was, she always felt bad for him. And she was glad to see him and the Inquisitor together in the end.

But my second playthrough - Grier Thorne. He's a grey warden and a warrior, a smart-ass and a hard-ass. A direct dude who's only got a soft spot for Lace. While Zea was saddened by Solas' repeat betrayals - Grier was pissed off. For a variety of reasons. Because he was kinda like 'yeah, okay - boo hoo, we've all had shit happen and yeah, it sucks but you had so many fucking chances to turn it around and you just keep shitting on everyone so how about you get fucked instead?' when it came to Solas. Especially at the end. He fought Solas and banished him to the fade. And man, the endings were night and day different. I know, I've read all the psychological breakdowns of about how Solas is a mirror and he'll mirror your actions etc but damn, that ending was intense. But I had to play it true to Grier, if that makes sense. Davrin was his bff, and he was still very raw over losing him and then being kicked into fade-jail. So, he came out ten kinds of pissed at Solas. To err is human, to forgive is divine - and Grier is no god - that's his way of thinking. Is it perfect? No. But that's him. The only one that can do absolutely no wrong in his eyes is Lace and yeah so maybe his team too but he'll never admit that one. Oh! And it was nice to see Dorian & the Inquisitor together again. :) It was a nice little touch to hear Dorian ask if his amatus was "okay" and that "if you aren't, it's okay, you know". (or something along those lines). They're still adorable and it's all warm fuzzies inside to know that the devs gave a nod to the two of them still being together after all this time.

Now that I've played the two polar opposite endings - I'm going to see where the other characters I have in the wings lead me. My next play through is a qunari Shadow Dragon. I'm thinking he might just trick Solas though - kind of a here's a taste of your own medicine. Because he's from Tevinter... and he's a shadow dragon... and he'd find it ironically hilarious. But that's Nels for ya. (⌐■_■)

[coffee-writesthings]

I may or may not have been feeling inspired-- might try to expand it into a proper fic later but this is more of a refined-ish idea dump. A fic of a fic (Taking Running Blind by @thetriggeredhappy and having a similar plot with different main characters. Congrats, your peer pressure worked! :))

Summary: Spy is blinded, and after an earnest attempt to hide it, Engineer and Sniper notice (not crossteam btw, tho that would be another cool angle). They try to help him as best they can. (It's those 3 being shipped together, since I have trio relationships on my mind lately cus i read this rly good book with one in it it's called Iron Widow you should go read it rn)

At the moment it's more like an organized-ish infodump that I might turn into a proper fic at some point

Okay so Spy going blind, I think he would still be able to see light but nothing else. It'd happen because of some sort of injury that Respawn couldn't cover for some reason and that leads to Medic and Engineer getting anxious as all hell about Respawn. Medic would make Engineer take breaks, and it's during these breaks that he is trying to help Spy deal with day-to-day stuff.

I think the first to notice would've been Sniper, honestly. Looking through a scope it's not hard to assume that his sorta-friend is struggling with backstabs for a reason he can't place. What's going on with the Spook?

It gets even more obvious when Spy's knife lands, not into someone's spine, but their shoulder. it still does damage, but it's not a backstab. he's killed immediately by Pyro who was nearby and he's still blind. He thought maybe respawn would fix it but no nothing was fixed. Fuck.

Since he can only perceive light, he has to hide out for the rest of the match, using his Cloak and Dagger to remain alive and make an excuse as to why he wasn't seen on the field. I think he would hide out with Sniper, trying his damndest to not give the game away.

It's in this next half-hour that he starts getting used to how loud everything else is, without the visual clutter to distract him. For some reason he hears the other team's Heavy nearby, and it tips him off that that's actually the other Spy, using a new tactic.

The knife sinks into Sniper's back easily, but he never expected the second spy (our pov spy) to pin him down and start stabbing wildly, finishing him off with a carefully aimed gunshot before returning to the shadows.

Once the match is over, he makes his way back to the base, using the light and large colored arrows he can process as a guide. All of this is under the guise of his cloak, so nobody notices.

Or, at least that was the plan. He manages to fall into the Engineer, knocking both of them over.

"Spy what the hell are you trying to pull?"

"That's not your business." is the lousy attempt at a coverup he gives. If he knew the only way he could tell who he was talking to was by the sound of his voice... that would be bad for him.

"Then get off me, will ya?"

He does so without making eye contact, he couldn't imagine what his eyes looked like at the moment but it couldn't be good (they probs look normal, if the research i've done is correct)

There isn't another battle for two weeks, so during that time he rests up and figures out some very basic echolocation so he can make his way around the base. it's better, in his mind, to look competent than it is to be hidden. So long as nobody can tell he has a problem, that's fine by him.

~~~

Engineer and Sniper get to talking, and find they both think something's up.

"You think his sight's gotten worse?"

"I can only tell ya what I saw mate, and I saw him swinging blindly. You've seen how his stabs usually are, they're point-perfect on that specific spot on everybody's spines! Just doesn't make any sense."

"He did trip over me... Kinda thought it was some short joke but, now that'cha bring it up, it's kinda suspicious."

"He'd never want us to notice."

Engie snorts, "Yeah, I'm pretty sure he'd rather die than admit he needs help."

"What do we do then?"

"We help him, whether he admits he needs it or not."

~~~

The first way they try to help him is subtle, reaaaaal subtle. Sniper asks to take him on a walk, holds his hand and tries to talk to him about that day's battle-- he's a bit blunt but he's got the spirit. Spy complains some, but doesn't really say anything substantial. He's actually surprisingly good at not getting off-track (i've been doing things with my eyes closed as an experiment and your steps can legit get wobbly), using sniper's voice as an anchor of sorts

~~~

Engineer takes the next attempt at getting him to open up, just sort of chilling together though. It's a normal thing they do every couple of weeks to de-stress after battles. Today he thought that it would be nice to watch a tv show together, and it's some history thing idk. He describes some of the images to him, which makes Spy feel a mix of thankful and scared about-- Did he notice something? And he confronts Engie on it, asking what's going on?

"It's been both you and Sniper, what do you think happened?"

"There's no think to it. He pointed it out to me-- you botched a buncha backstabs and it looked like somethin' happened.

"This stays between the two of you and me..." he proceeds to explain what he knows about what happened. He does admit that he is, in fact, blind. He explains that he can perceive changes in light but nothing else. "It's... something like closing your eyes, permanently."

Engie is conflicted, having very little of an idea how to care for someone having vision in a state like that. He's especially not sure what to do in terms of telling Medic for instance (since respawn didn't fix it like expected)

~~~

Still though, he tells Sniper about it after staying up all night doing research on like a million specifics about vision loss (causes, treatment, what to do if it can't be fixed, etc etc)

"Huh, so what can we do right now?"

"He's gonna be real concerned about visibility, so honestly our best bet might be teaching him echolocation."

"You're kidding me!" he lets out a wheeze of a laugh, "Spy, echolocating? Yeah right. By the way when was the last time you slept?"

Engineer responds, "uh, yesterday."

Sniper proceeds to herd him into bed like a border collie, doing everything up to and including a brief attempt to pick him up over his shoulders like a sack of potatoes. Engineer blushes, maybe makes some joke about being a princess

~~~

So anyway they teach Spy how to echolocate (Sniper does, specifically, since he just forced Engineer to get some sleep).

Spy: 'this is a joke, right?"

Sniper: "do you want to do this without help or not? I don't see you being willing to get a white cane" (note: it's super good actually for figuring out ur surroundings and materials, i didn't think it would be as good as it looks but the way it works sounds really damn useful)

Over the next hour or so they do echolocation together, starting with simpler sets of noises (snapping, clicking of tongue, things like that) and then just walking and talking around the base. After a little bit, Spy is able to get a general idea (hehe i misstyped that at first to be gender. Spy is certainly able to get a gender alright) a general idea of the layout of the base. He can't really figure out the rooms without touch and counting the individual doors, and stairs are his worst enemy, but he can do the base mostly.

~~~

The next day is a CTF battle (completely spontaneous for some unknown reason) and Spy hangs out with the intel with Engineer (yknow what fuck it i'm being fancy this isn't 2fort it's Landfall, the foresty one), hoping that the administrator will just think he's having a bad day. They chat while Engie builds and tinkers, about all manner of things. Probably more about what Engie found and remembered in his research.

~~~

Anyway I've been sitting on this a few days, felt like sharing a collection of vibes which may someday be expanded. Btw writing this actually inspired me to take a different direction in an original work lol, I might try to share some of that in the future when I have proper snippets to share

[antivancorvo]

okay so I've been thinking about something on my second Veilguard playthrough. for my first, I mostly picked the comedic dialogue options, one, because shits and giggles and two, I was honestly happy they brought it back. Veryl, my first Rook was kind of like this unserious girly not being happy to be put in this role, but she did it anyway cause what else are you gonna do yk.

for Jalen, I'm mainly picking the diplomatic and sometimes the direct options, because his personality is like that, straightforward and impatient, wanting to get shit done.

and I really feel like these are two wildly different personalities. one of the criticism I've seen for Rook is that they feel generic, and no matter which option you choose they have the same feel and idk. I just don't think that's true. I was a bit scared I wouldn't be able to play as Jalen that well because of this, but I was honestly surprised how ambiguous most dialogue options are, and can mean different things for different characters. like, sometimes I didn't even want to pick the elf or shadow dragon options that are exclusive on that specific playthrough because I thought something else would fit them better. but also, I do think that with dragon age protagonists, people generally tend to make up whole backstories and they really let their imagination run wild when it comes to their OC, and choose dialogue in context of their character, a mix of what the game provides and their own headcanons. and when you play like this, I think even the same dialogue options can feel different if you play with a different character.

idk what I'm really trying to say here, just a surprising experience I'm having on my second playthrough I guess. and I do think the other DA games kinda. hold your hand more with the dialogue options? some of them were just very definite which can be hard when you have a more nuanced character in your head. so yeah, I think Rook is just generic enough that you can really build your own character up very nicely.

[bibiana112]

Kinda weird question- do you have any links to people talking about Mira from ZTD and ableist stereotypes? I mentioned that I was uncomfortable with her portrayal but kinda fumbled it and made some other ND people in chat uncomfortable. I searched for various keyword combinations but most of what I'm finding is like "and not to mention the ableism with Mira" and doesn't elaborate lol.

Not weird at all! And uh, you see, there's a recent post I made where what I complain about is the very fact I've never seen anyone post too in-depth about her at all, I'd love to see posts that do elaborate on that but I do not have any that I know of right now, sorry :/ hopefully someone else who sees this can point to one? Okay!! After some tag searches I have found exactly one post who kind of gets into it I like this take still would love to see. more than just one but hooray

And like though I complain I couldn't elaborate much on it myself I don't think, I believe most of the posts people make about Saito from aitsf would apply since it's a different uchikoshi take on the very same trope of "emotionless characters who cannot function without killing others" I guess he's a worse portrayal though since she's at least not stated to get reward brain chemicals when killing people and I guess her case also has the added layer of "femme fatale" to it? Which either makes it less bad or worse depending on where you approach it from As I said I am not doing a good job of being coherent on this oh and also there's her being "redeemed" and "cured" in the epilogue which in on itself is kinda not great to imply it just goes away like that and honestly I personally don't even buy it I think she'd just be like oh okay Akane over here has like a thousand reasons to hate me after all that oh and what's that she's the leader of a super wealthy underground organization who's organized one of these death traps before yeah no I'm better off going to prison I'll be fine there lmao bye

But I'll say as an autistic person with relatively low empathy I usually see a character who just doesn't understand other people's feelings and wants to feel them too and is just trying to survive despite getting no help and I just kinda go hm. yeah. shout-out to roxas kingdom hearts shout out to mary from ib shout out that's why I started hyperfixating on media art helps me with understanding others a great lot and Mira is just in a story too badly executed for me to care or even begin to wrap my head around tbh like god she's so fucking terribly used as a plot device in every conceivable way that it makes it difficult to see past it and into what she could possibly be if it weren't for the stereotype of equalling low empathy with no compassion what's with her killing off screen in ways that wildly deviate from her stated m.o? why or how was she even in cahoots with Zero why was that a thing? Honestly her dynamic with Sean could have been better fleshed out could have done something interesting about robot child and his aspd big sis but we just kind of don't get any attention brought to the subject of emotions and the authenticity there of except for the "reveal"...

YOU KNOW WHAT that's probably one huge reason it feels so fucked up actually! Like the whole fucking game is written so you could experience it in whatever order you want and therefore Mira being a serial killer at all is something that though not very well hidden it also cannot be a topic of discussion or explored Ever ever because the player may not have seen the fragment where that is revealed yet- problem being the menu design of that game sucks so bad and practically everyone gravitates towards the same few more interesting looking thumbnails first and then the rest is kinda just there, I mean that is part of the reason A Lot of characters feel half-baked I think but also I think it definitely does impact perception of her character specifically probably The Most and then there's just the general not being given nuance not being able to see the minutiae of how that disorder manifests in her character aside from the killings about how she acts aside from being overly flirty trying to lure in Eric but that affects pretty much all of the new cast we don't have last names and in her case we barely have any backstory at all like Saito is a harmful stereotype sure but we get So Much Context for him that people still love talking about him and delving into different aspects of his life since we have that very well telegraphed in the narrative meanwhile for Mira all we can do is fill in the blanks guesswork that only highlights the worst aspects of the surface level portrayal we got and ultimately that people just don't care enough to dissect because there isn't much there character wise once you remove it

[primeministerofantarctica]

A3! reading club: act one (chapter 1-6)

(cw: talking about parental neglect and abuse, orientalism, one mention of suicide)

Hey, ten out of twelve isn't bad, all things considered! This very well could have gone down in October. Also, since it's February (March if you wanna be generous), does that mean everyone in Harugumi's slightly younger than their Year One ages now? Ack, timelines are confusing.

Izumi casually talking about how Yukio neglected her and following it up with "well, it was probably because he loved this theater so much!" is. Oh, girl. No wonder she snapped when Sakyo suggested he'd abandoned Mankai, because if he hadn't loved it, then why did she have to go through with that?

I'm not versed enough in Japanese particles but I recognize "daijoubu" and Tsuzuru watching this trainwreck unfold and saying something along the lines of "are you guys, like, okay?" is extremely funny.

Then we get to Sakuya and Masumi's family situations, which. From a meta perspective, it makes sense to want to give your minor protagonists the freedom that having parents limits. That's why the trope of "young protagonist in kid's spec fic media is conveniently an orphan" is so common. (was? I think it's becoming less common now.) The problem lies in the lack of willingness to follow through with the emotional conflict it creates, or resolve said conflict in a satisfying manner. Sure, I'm assuming they weren't starved or physically abused, but being treated like a burden when you're a child is still fucking traumatizing! Basically I think Izumi Sakuya and Masumi should start a union. And I'm glad later chapters go the reasonably more toned-down route of "my parents have a reasonable amount of trust in me to make these kinds of decisions".

Also, can we talk about Sakuya and Masumi, because they're one of my favorite brotps here. The way Sakuya appoints himself as Masumi's surrogate big brother? He's so eager to potentially share a room with him ;-;. (personally I hc that Ms. Sakuma was expecting another child before the accident or whatever killed them, so Sakuya's been a big brother without a younger sibling all this time </3)

Wow, that doesn't sound like a metaphor for anything! You're right, Izumi, why would you go the easy route of taking something prepackaged and guaranteed when a bunch of wildly different spices can create a delicious meal if you know how to utilize them right?

Am I grasping at straws here. Probably.

The little ka-ching sound effect is adorable.

Tsuzuru, I'd think "antagonist" should be near the top of the list...also, there's plenty of plays that have been pulled off with two or three actors. Just put on "night, Mother" or something. (Joking. Don't look up night, Mother if you're sensitive to themes of suicide.)

"Tsuzuru, you picked this troupe because it had a dorm, right? ...Then maybe our best bet is to focus on more people in your shoes."

"People in my shoes? In other words...."

"The homeless?"

I CAN'T ASJHGSKSDSK

he's literally doing the 😔 face i'm on the floor.

HE'S HERE! Funny how Izumi's right about Citron not being a regular tourist right off the bat. He may not be from another troupe, but he's definitely "in character" right now.

Also, oof. Citron's my second fave in Harugumi after Sakuya, but it's glaringly obvious how much of his character is rooted in orientalism. Sure, maybe it's an act, but why is he talking about how "shameful" showing skin is when his top is (conveniently for us) THAT low-cut.

On another note, I know people have pointed out his distaste for pig's feet as evidence for headcanoning him as Muslim, but I haven't seen anyone point out how he calls Veludo Way a "mecca" of theatre. Like yeah, mecca can just mean hub, but...why didn't they just say hub? Words Have Connotations. I'm not saying this coding is good or bad, it's just a neutral observation.

AND HERE'S THIS BASTARD (affectionate)

Oh, Kasumi! (insert pointing reaction pic bc I've run out of photo space.) It's Kasumi, guys! :D

[sunstreakerapologist]

Now that this season of ES is complete I wanna go over what I liked and disliked in the show. I starting with what I disliked because I like to end on a positive note.

Everything under the read more because this will be longer :)

Okay dislikes:

The tone is wildly inconsistent. The Soundwave episode is the most glaring example of this to me. You have Megatron being confronted by someone he failed, interesting fight scenes, and then... A bunch of kids beating a different group of bad guys by singing the world's most annoying song. It felt like two episodes of different shows in the worst way possible.

On that note the show frequently feels like two different shows! It's either more mature (for a children's show) and dealing with ideas related to war, and identity, or it suddenly takes on a very young tone. The plots about the Terrans learning VS plots about GHOST and such do not have any synergy and I felt like I was bouncing between two shows about different things.

The animation can be... Rough. Mo looks different than every other human and it's incredibly noticeable, and in some scenes the animation is just lacking any polish. It's very noticeable. Hopefully this is a budget issue that can be resolved for season 2.

A lot of these characters talk like they're trying to win at therapy.

Alex and Dr Meridian's connection was a letdown. You have the moment of recognition and then it's just... Oh yeah we were coworkers.

A number of things were left as loose ends. Sure, they may be resolved in season 2 but the show didn't have a guaranteed season 2 at the time of production.

A lot of stuff that could have been interesting just happens off screen. Shockwave apparently was betrayed by Croft. We don't even get to see them interact at all. For a kid that's confusing, as an adult it's annoying.

What I did like

It's really nice to see a show with a unique premise regarding transformers, I like the idea that they're disconnected from Cybertron, that Megatron regrets his past but not the entirety of it, everything going on with the Terrans.

The character designs are great. I'm a huge fan of Grimlock, Soundwave, Jawbreaker, Nightshade, all of them. Very fun.

The show manages to balance a large cast fairly well! Every Terran got a little moment or episode focused on them that helped flesh them out.

The tension consistently rose. The stakes got higher as the show progressed but there were no massive out of nowhere jumps that made it all seem out of place.

I enjoyed Dr Meridian and Croft as villains. They both had something different going on, and the way they would work together and betray each other added to the show a lot.

I like how the show dealt with the trauma that comes from not having control over yourself. It really hit home for me.

The fact that Megatron's redemption began with Dot is fantastic. I think she's a great character and I would love to see more focused on her going forward, and more of their friendship.

In contrast to one of my complaints, there's a lot about the animation that I love in this show. The use of more 2D animation for things like smoke and flames looks wonderful, and adds a great level of visual interest.

This show is very good at making characters who are nice to care about. Even Hashtag, who I initially found very annoying, I grew to love.

Overall I enjoyed the show more than I disliked it and will probably keep watching, but I really hope they improve, especially in regards to consistent tone.

[freedom-shamrock]

How much salt do you think a salt fic should have before it becomes too unpleasent to read?

Great question! First, it's important to note that different people are going to have different salt tolerances, some folks just want a little for flavoring while others want the whole dang salt shaker. But there is a happy medium that most can agree on as pleasant to read.

Next we need to define salt. Because it's slang and it gets used (and misused) to mean a lot of things. One need not go out of character (OC) and full evil to be salt. Salt/salty has to do with being upset, angry, bitter, or hostile. Some people require these feelings to be associated with embarrassment, failure, being attacked or out of place in order to be considered salt, but most people (myself included) don't require this qualifier.

To be a salt fic, these salty feelings need to be the driving theme of the story. This can be realistic, exaggerated, or wildly unrealistic. You can keep the characters as canon as possible or go massively OC.

In my Saltinette story the goal was to be realistic and stick with canon as much as possible. As a result it's on the lower end of salt options for this situation. To increase the salt content, I had Marinette decide to leave school and let go of her friendships. It's a somewhat nuclear option for her academic and social life, but it's also something both my kids have had to do as a result of bullying.

In the follow-up story, Treading in the Brackish Pool, shows a lot of those salty feelings, this time from Marinette's former classmates once she's left. Again, the goal was to stay realistic and close to canon, which meant I had to explain how and why the classmates made the decisions that ultimately pushed Marinette away. I wanted to avoid making them actively evil; they're just young and a little ignorant on social stuff.

That last bit highlights where things tend to cross into too much salt to be a satisfying story. Taking a canonically kind character and making them a psychopath will definitely increase salt, but without any explanation or set up, it's going to feel wildly OC and a lot less pleasant to a larger number of people. But it can work if you set it up right.

A lot of people who write heavy Miraculous salt make Alya an active bully. In some cases this works because it's built up over time (starting with disappointment, moving to chastising or ridicule before verbal bullying and finally physical bullying). In other cases, there's no groundwork or authorial hand waving to explain how Alya went from being kind, confident, and maybe a little pushy to being okay with assault or murder. Adrien also often gets an evil makeover in heavy salt. If the author takes the time to build up Adrien's corruption from the Miraculous or a two-faced nature like his father (Paris' sweetheart in public vs controlling asshole in private) it can work really well. But a lot of times he's just OC with no justification, which will make it appeal to a smaller audience.

I think it's essential to remember that fans of a show generally like the characters. Yeah, they may not love all the characters, but you're not going to watch something that focuses on characters you hate. When you warp characters into something they aren't, the story risks losing some of its broader appeal. The more popular a character is with the audience the easier it is to step into the realm of too much salt. The same can be said for the amount of canon material for a character. If they are a major character, it's easier to go too salty. If you want to go heavy salt, setting it up as an AU or taking the time to show how the characters grew from canon into something else will help. Failure to do either of these will result it a reduced audience appeal.

Did that answer you or did I go wildly around the question? Let me know! Thanks for asking